International Conference on Music and Performing Arts - (ICMPA-27)


23rd - 24th March, 2027 | Hulhumale Island, Maldives

Multi-format (In-person/Virtual)

Registration Options

Explore conference registration categories designed for every mode of participation.

Important Dates

Pre-registration Deadline

21st February, 2027

Paper Submission Deadline

26th February, 2027

Last Date Of Registration

8th March, 2027

Date Of Conference

23rd - 24th March, 2027

Downloads

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 3 SDG 3 — Good Health and Well-being
SDG 4 SDG 4 — Quality Education
SDG 8 SDG 8 — Decent Work and Economic Growth
SDG 9 SDG 9 — Industry, Innovation and Infrastructure
SDG 10 SDG 10 — Reduced Inequalities
SDG 11 SDG 11 — Sustainable Cities and Communities
SDG 16 SDG 16 — Peace, Justice and Strong Institutions
Explore

All Session Tracks

Track 01
Exploring Musical Aesthetics and Value

This track invites discussions on the philosophical underpinnings of musical aesthetics and the perceived value of music in various cultural contexts. Scholars are encouraged to examine how these concepts influence both artistic expression and audience reception.

Track 02
The Dynamics of the Music Industry

This session focuses on the evolving landscape of the music industry, including the impact of technology and globalization on production and distribution. Papers may explore economic models, marketing strategies, and the role of social media in shaping contemporary music careers.

Track 03
Writing About Music: Theory and Practice

This track emphasizes the methodologies and challenges of writing about music, from academic critique to journalistic approaches. Participants are encouraged to share insights on how to effectively communicate musical ideas and experiences to diverse audiences.

Track 04
Sociology and Cultural Studies of Music

This session aims to investigate the social dimensions of music, including identity, community, and cultural practices. Contributions may address how music functions as a tool for social change and its role in reflecting societal values.

Track 05
Music and Politics: A Critical Examination

This track explores the intersection of music and political discourse, analyzing how musical works respond to and influence political movements. Papers may investigate the role of music in activism, propaganda, and national identity.

Track 06
Music and Consciousness: Interdisciplinary Perspectives

This session invites interdisciplinary research on the relationship between music and consciousness, drawing from fields such as psychology, philosophy, and neuroscience. Participants are encouraged to explore how musical experiences shape cognitive processes and emotional responses.

Track 07
Neuroscience and Music: Insights into Perception and Cognition

This track focuses on the neurological underpinnings of music perception and cognition, examining how the brain processes musical information. Contributions may include empirical studies and theoretical discussions on the implications of these findings for music education and therapy.

Track 08
Cognitive Ethnomusicology: Bridging Cultures and Minds

This session aims to integrate cognitive science with ethnomusicological research, exploring how cultural contexts shape musical cognition. Papers may address the cognitive processes involved in music performance, listening, and cultural transmission.

Track 09
The Role of Music in Therapy and Healing

This track examines the therapeutic applications of music across various contexts, including mental health and rehabilitation. Scholars are invited to discuss empirical research and case studies that highlight the efficacy of music therapy practices.

Track 10
Cognitive Modeling of Music: Theoretical Frameworks

This session focuses on the development and application of cognitive models in understanding musical behavior and cognition. Participants are encouraged to present innovative theoretical frameworks that contribute to the field of cognitive musicology.

Track 11
Cultural History and Evolutionary Perspectives on Music

This track invites exploration of the historical and evolutionary contexts of music, examining how music has evolved alongside human societies. Contributions may include discussions on the role of music in cultural identity and its adaptive functions throughout history.