This track invites papers that examine the evolving landscape of film and media studies, focusing on interdisciplinary approaches and methodologies. Contributions may include theoretical frameworks, case studies, and critical analyses that highlight the significance of film and media in contemporary society.

This session will explore the intersection of advertising and consumer culture within various media forms. Papers may analyze the impact of advertising strategies on audience perceptions and the role of media in shaping consumer identities.

This track focuses on the dynamics of audience engagement and the processes of reception in film and media. Contributions should address how audiences interpret, interact with, and derive meaning from media texts.

This session aims to investigate how film and media reflect and shape cultural identities and social narratives. Papers may explore themes of race, gender, and class in cinematic representations and their implications for societal discourse.

This track examines the influence of digital technologies on contemporary cinema and media practices. Topics may include the impact of streaming platforms, digital distribution, and the evolution of cinematic storytelling in the digital age.

This session will explore the ethical considerations and aesthetic choices in documentary filmmaking. Papers may address the responsibilities of filmmakers in representing reality and the implications of documentary narratives on public perception.

This track invites discussions on the representation of gender and queer identities in film and media. Contributions may analyze how these representations challenge or reinforce societal norms and the role of media in advocating for social change.

This session focuses on the effects of globalization on media production and consumption across borders. Papers should explore how transnational media flows influence cultural exchange and identity formation in a global context.

This track examines the phenomenon of cult media and its dedicated fan communities. Contributions may explore fan practices, the role of fandom in media consumption, and the cultural significance of cult texts.

This session invites papers that critically engage with the history of film criticism and theoretical frameworks. Discussions may include the evolution of film theory and its relevance to contemporary film analysis.

This track explores the relationship between media, politics, and democratic processes. Papers may analyze the role of media in shaping political discourse, public opinion, and civic engagement.