ICHM · Registering as Listener

International Conference on History of Music

12th Jan – 13th Jan 2027 Glasgow, UK Standard / Physical Participation
Listener Registration From
$—
$— in person
Registration Benefits:
Official invitation letterIssued automatically after registration
Certificate & digital materialsGet certificate, slides and resource materials
Supporting global researchConnect with researchers across 30+ countries

Select registration mode

Prices are shown before tax and bank charges — no surprises at checkout.

All sessions Networking Certificate Invitation letter Conference kit

Your details

We only need what's required to register and email your confirmation. Everything else is optional.

For Support Please Contact

Coupon code

Have a code? Apply it here — the discount updates the total immediately.

Apply
VISA MC AMEX UPI

Payments encrypted & processed securely. Refundable up to 14 days before the event.

Registration summary

ConferenceICHM
ModeStandard / Physical
ParticipationListener
Registration fee$—
Bank charges (5.8%)$—
Discount-$0.00
Total payable $—

Includes all bank processing charges — the amount above is exactly what will be charged. View charge breakdown

Need help?

Contact our registration team:

Benefits of Registering as Listener
Access to Conference Sessions
Networking Opportunities
Certificate of Participation
Invitation Letter Support
Conference Kit / Materials
Access to Keynote Sessions
Conference Session Tracks
SDG Wheel

SDG-Aligned Research Themes

International Conference on History of Music conference tracks support global knowledge exchange, innovation, and sustainable development priorities across diverse disciplines.

SDG 3 - Good Health and Well-being SDG 4 - Quality Education SDG 9 - Industry, Innovation and Infrastructure SDG 11 - Sustainable Cities and Communities

This track explores the intersection of archaeology and music history, focusing on how archaeological findings can illuminate the musical practices of past societies. Participants are encouraged to present case studies that highlight the role of music in cultural and social contexts throughout history.

This session examines the evolution of communication methods and media in relation to music history, including the impact of technology on music dissemination. Papers may address historical media forms, their influence on music culture, and the implications for contemporary music studies.

This track investigates the relationship between human activities, environmental factors, and the development of musical traditions. Contributions should focus on how ecological contexts have shaped musical forms and practices across different cultures and time periods.

This session promotes interdisciplinary methodologies in music archaeology, emphasizing the integration of various scientific techniques and theoretical frameworks. Presentations should showcase innovative research that combines archaeological evidence with musicological analysis.

This track delves into the role of music in prehistoric societies, exploring how early humans used sound for communication, ritual, and social cohesion. Papers should consider archaeological evidence and theoretical interpretations of music's significance in ancient cultures.

This session focuses on the application of modern technologies, such as remote sensing and GIS, in the study of historical music practices. Participants are invited to discuss how these tools enhance our understanding of music's role in archaeological contexts.

This track examines the relationship between ceramics and musical instruments, exploring how material culture informs our understanding of music history. Papers should investigate the production, use, and significance of ceramic instruments in various cultural settings.

This session explores the connections between bioarchaeological findings and musical identity, focusing on how physical remains can reveal insights into the musical practices of past populations. Contributions should highlight case studies that link bioarchaeology with musicological research.

This track investigates the role of metals in the creation of musical instruments and their cultural significance throughout history. Papers should explore the technological advancements in metallurgy and their impact on music production and performance.

This session addresses the challenges and methodologies involved in interpreting and presenting musical heritage in archaeological contexts. Participants are encouraged to share innovative approaches to showcasing music history through exhibitions, performances, and digital media.

This track examines the concept of archaeological feedback in the study of music history, focusing on how contemporary music practices can inform archaeological interpretations. Contributions should explore the reciprocal relationship between modern music and historical research.

COPYRIGHT © 2026 International Conference on History of Music. ALL RIGHTS RESERVED